After a gorgeous performance of Mozart’s Great Mass in C minor, the Chorale is beginning to rehearse another work which has been often criticized for being too operatic: Verdi’s magnificent Messa da Requiem. We are excited to present this on Saturday April 23, 8pm – save the date!
“WHETHER AFFECTING indignation or simply delighting in the outrageous comparison, pundits have long gibed at Verdi’s Requiem as one of the composer’s greatest operas. Yet it is a bit unfair to focus pious criticism on Verdi’s setting of the Mass for the Dead, splendorous as it is. Spectacle seems an intrinsic element, or at least an invariable dramatic byproduct, of any musical requiem.
The dread and terror of eternal damnation, and the fervent supplication for divine protection from such a fate, cry out (quite literally) for extreme expressive resources. And the composers who have answered that spiritual and musical challenge in the most compelling terms — Mozart, Berlioz and Verdi — all used quasi-operatic means just as surely as they adopted the traditional Latin text.
But…the experience of a requiem has something else in common with opera: It is better seen than merely heard. Irrespective of whether one believes in the religious precept, the profound urgency of the requiem’s message, especially as it is heightened by music, bears a specifically communal weight.
To experience a choral requiem as it was meant to be, one should be able to look into the faces of the singing hosts, behold the assembled orchestra — the very trumpets of the Tuba Mirum — and sense the solemnity of the occasion, the place and the fellow travelers gathered there.” (Lawrence B. Johnson, nytimes.com)